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I visualize this timing most likely developed during the Palladium age yet I haven't confirmed that. Eddie Torres began showing and promoting this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dance educator, who aided him develop his strategy and timing.

The story I'm constantly told here, that still requires additional investigation, is that as salsa started reaching brand-new target markets beyond the Caribbean and New York, it was much easier and much more instinctive to show cultural outsiders to dance On1 in contrast to On2. However, this tale doesn't account for the truth that I have actually heard Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of various salsa timings you can dance to and it is one of the most typical timing you'll find on the planet today. Salsa On1 timing interpretation: "On1" indicates you begin dancing on the very first beat of the bar of music the 1. Your break actions (direction modifications) get on beats 1 and 5.

The exemptions I've found so much, where On2 is most typical, would be around New york city and in South Korea (Bachata Dance San Francisco). I make certain there are other locations that dance mainly On2 yet I haven't danced in every nation yet! If you're unsure what timing is most usual where you live, ask your local dance workshop

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When someone states "I dance salsa On1" they probably imply "I dance linear design salsa On1" (although you can dance any style of salsa On1, people usually mean direct design). Don't stress if you have actually stated these points in the past, it's all good most of us have! The crucial thing is to bear in mind there's a difference between style and timing and grow your understanding so you can be extra precise when discussing salsa with your friends.

It connects well with the phrasing in the music, particularly the piano, and various other percussion instruments like the cow bell and giro. Timing and style are 2 various things, so different the concepts when you speak concerning salsa with your pals. Regardless of what timing is most typical in your area of the world, remember you can technically dance any type of style of salsa to any type of timing explore and appreciate!

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There is an initial mambo dancing that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when someone states "I dance mambo" they imply salsa On2, which is various than the original mambo dancing. The erratic free-from steps of the initial mambo were danced solo.

As the dancing began to spread, On1 timing began to end up being preferred. Salsa On2 definition: "On2" indicates you start dancing on the first beat of the bar of music the 2.

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Historically those are the tools that a kid cubano dancer gotten in touch with which was handed down to mambo and salsa. A lot of dancers delight in dancing On2 for the varied means you can link to the music. This is the original son cubano and mambo timing. Child cubano is the songs and dancing that came before mambo and salsa.

It links well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is much like dance On2 contratiempo however you include the three-way step on 4 and 8. Danced to the exact same beats as On1, your break actions are now on 2 and 6, which changes the feel of the dancing.

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It connects well with the Go Here conga and cowbell. https://www.evernote.com/shard/s349/sh/6c707b73-924c-0467-b50a-0903310454ec/wRAqhsJAJYBuFnbHNwEbhoWMm-3O2idIxMSCS6xwm0Lz5A_B84rTvZp4Lw. This timing is nearly the same to contratiempo On2 yet the actions that are typically on 4 and 8 are on 4. 5 and 8. 5 rather half a beat later on, which associate the syncopated tone of the conga. It's nearly like a timing in between a tiempo and contratiempo.

5 rather of 5) you're dancing this syncopated timing. In fact it seems it's typically danced as kind of a "blunder" for any individual dancing the previous two timings.

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As pointed out previously, this was the very first analysis of dancing on clave (kid clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as several actions of your standard as feasible with the strikes of the kid clave.

Normally, people have located a way to dance on virtually every timing possible to child and salsa songs. People dance On3 for the very same reason you dance On1 since it stresses the solid beats of 1-3-5-7.

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Let's check out the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Allow's consider the beats you dance On3 to: -4-, -8- (solid beats are in strong) Notice how the strong beats are spaced exactly the very same for On1 and On3? All you do is beginning stepping On3 rather than On1.

That's why dance On3 is so common in Latin America. People either Try to dance On1 however start stepping On3 by crash and it exercises just penalty, or They do not know much concerning timing and are simply translating what they hear in the music, based on their experience growing up in a society with salsa.